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Tanjore paintings
25 rajasrinivasa nagar 1st floor , K.B road, thiruvanmiyur, thiruvnmiyur, Chennai, Tamil Nadu 600041, India
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Sw
Review №1

Fairly reasonable, but work is very good and attention to details is a mind blowing.

Vi
Review №2

GoodAboutThanjavur painting is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore). The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting of chiefly Hindu religious subjects in temples. It is distinguished by its famous gold coating. However, it can safely be surmised that Thanjavur painting, as we know it now, originated in the Maratha court of Thanjavur (1676–1855).[1] It has been recognized as a Geographical indication by the Government of India in 2007-08.Thanjavur has a unique place in the history of Indian painting, in that it houses the 11th century Chola wall paintings in the Brihadeeswarar temple (Periya koyil or Pervudaiyar koyil in Tamil) as also paintings from the Nayak period (many times superimposed on the earlier Chola paintings[3]) dating to the 16th century.[4] The fall of the Vijayanagar Empire and the sack of Hampi in the Battle of Talikota in 1565 CE resulted in the migration of painters who had been dependent on the patronage of the empire. Some of them migrated to Thanjavur and worked under the patronage of the Thanjavur Nayakas. Subsequently, the Maratha rulers who defeated the Thanjavur Nayakas began to nurture the Thanjavur atelier. Needless to say, the artists absorbed the local influences and the individual tastes of their Maratha patrons which helped evolve the unique Thanjavur style of painting. The Thanjavur artists in addition to decorating temples also began painting and decorating the major buildings, palaces, chatrams and residences of the Maratha kings and nobility.Thanjavur paintings are characterised by rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. In Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European or Company styles of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu Puranas, Sthala-puranas and other religious texts were visualised, sketched or traced and painted with the main figure or figures placed in the central section of the picture (mostly within an architecturally delineated space such as a mantapa or prabhavali) surrounded by several subsidiary figures, themes and subjects. There are also many instances when Jain, Sikh, Muslim, other religious and even secular subjects were depicted in Tanjore paintings.Thanjavur paintings were made in various sizes depending upon the function, the subject and the choice of the patron. Large paintings of deities and the Maratha rulers, their courtiers and nobility, were painted and installed to serve as architectural accents in the Maratha palaces and buildings. To quote Dallapiccola – The works, executed on canvas pasted on a wooden support, were framed – a major departure from the pan-Indian tradition, in which paintings are of small size – and designed to be hung on the walls of domestic puja rooms or in bhajan halls. The themes, as in painted albums, (made for European patrons) were usually gods and goddesses, holy places, religious personalities and occasionally portraits. Their dazzling palette consisted generally of vivid reds, deep greens, chalk white, turquoise blues and the lavish use of gold (foil) and inset glass beads. Sometimes precious stones were also used in the paintings. The large format of the majority of such works and the relatively simple composition are the hallmark of the style. This school was greatly inspired by European techniques and was the most popular in Tamil Nadu until the early twentieth century.good

sh
Review №3

Proffessional traditional paintings with dedicated customer requirements are addressed, Im fully happy with the work took care and delivered a master piece, I completely recommend if you love the Tanjore painting our traditional art.

Sr
Review №4

Very talented workmanship, Very. co oprative worker,Most reasonable price, Beautiful painter highly recommend it

Ja
Review №5

A very professional work by Mr. Ramesh. Timely delivery and attention to detail are his plus.

T
Review №6

Good work, reasonable price

Ga
Review №7

An open art gallery, near Besant beach

Mo
Review №8

Nice

RA
Review №9

Very nice painting

Se
Review №10

Good art

pr
Review №11

Its good

To
Review №12

Bettr

Information
100 Photos
12 Comments
4.6 Rating
  • Address:25 rajasrinivasa nagar 1st floor , K.B road, thiruvanmiyur, thiruvnmiyur, Chennai, Tamil Nadu 600041, India
  • Site:http://armhandicrafts.com/
  • Phone:+91 95662 51110
Categories
  • Art gallery
  • Artist
Working hours
  • Monday:10AM–8:30PM
  • Tuesday:10AM–8:30PM
  • Wednesday:10AM–8:30PM
  • Thursday:10AM–8:30PM
  • Friday:10AM–8:30PM
  • Saturday:10AM–8:30PM
  • Sunday:10AM–8:30PM
Amenities
  • Restaurant:No
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